The Creative Utterance (Inshā’)

بِسْمِ اللَّهِ الرَّحْمَٰنِ الرَّحِيمِ

Introduction: Beyond Mere Words

In the rich tapestry of Islamic thought, few concepts are as misunderstood, yet as profoundly significant as the nature of sacred speech. When a momin raises their hands in supplication (du’ā’), recites the words of a divine text, or utters a prayer transmitted through the ages, what exactly is occurring? Is this simply a human being conveying information to God or articulating a pre-existing emotional state? Or is something far more profound taking place?

Islamic rhetorical theory (balāghah) and philosophy offer a compelling answer through the concept of creative utterance (inshā’). This article explores this concept, drawing upon the teachings of Ayatollah Abdollah Javadi Amoli, arguing that sacred speech—particularly supplication (du’ā’)—is not merely descriptive but performative, bringing spiritual meanings into existential reality through the very act of utterance.

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بِسْمِ اللَّهِ الرَّحْمَٰنِ الرَّحِيمِ

The Secret of the Single Chain: Why the Greatest Du‘ās Came Through One Narrator

If you have ever recited Du‘ā’ Kumayl on a Thursday night or Du‘ā’ Abū Ḥamza al-Thumālī in the pre-dawn hours of Ramaḍān, you may have noticed something curious. These supplications, almost always trace back to a single companion of the Imāms. Du‘ā’ Kumayl was taught by Imām ‘Alī (a) to one man: Kumayl ibn Ziyād. Du‘ā’ Abū Ḥamza was entrusted solely to Abū Ḥamza al-Thumālī by Imām Zayn al-‘Ābidīn (a). Al-Ziyārah al-Jāmi‘a al-Kabīra came to us through a single narrator, Mūsā ibn ‘Abd Allāh al-Nakha‘ī, from Imām ‘Alī al-Hādī (a). The same pattern repeats for many of our most treasured texts.

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